Stephanie Mayers Talks Grammys, Motherhood, and Diversity in Children’s Music
“When I first started in kids music, it was very not diverse … early 2000s was very, very white.”

“When I first started in kids music, it was very not diverse … early 2000s was very, very white.”

Written and recorded almost entirely during her first pregnancy, Evalyn’s latest album, A Quiet Life, reflects the physical and psychological chaos of transformation.

With her smoky vocals and trusty Stratocaster, Ana Popovic is one badass blues rockin’ mother. She’s a survivor, too.

The thing that’s most striking about The Professors of Sweet, Sweet Music (The POSSM) isn’t just the six-piece, Hartford, Connecticut, band’s ability to churn out infectious grooves on the regular.

The Connecticut State Troubadour’s latest single — “Ancient Vessel” — is deeply personal yet deeply relatable to every woman.

Seeing NYC rock band Thrilldriver is like seeing Mötley Crüe, but in a grittier, standing-room-only nightclub setting.

Los Angeles mom Suzanne Jamieson’s music — especially 2024’s album Love is…— is the antidote to negativity.

Mom-of-four Jessie James, who hails from Montreal, proves it’s never too late to pick up an instrument and share your art with the world.

“Bruised Ego,” Canyon’s first single off her forthcoming album, is upbeat yet vulnerable, very much like the musician mom herself.

Melody Federer’s song “Knocked Up” captures an emotion that those Clearblue Easy pregnancy commercials can’t (or won’t).

As Genevieve LeDoux watched own sons and their friends “hang out” in digital spaces, she found herself dreaming up an entire animated metaverse: Star Forest.

Vixen’s Britt Lighting has come a long way since 2012, when she was on the edge of a broken heart in her career — and almost quit.