Children’s music artist Flor Bromleyloves blending so many genres of music that it’s hard to describe her sound. It’s jazzy, with a touch of island calypso, a dash of pop, and a folksy vibe.
But we can all agree it’s pure, universal sonic happiness, even when the rest of the world is crumbling. Flashback to just one year ago, when, in the midst of the early months of the coronavirus pandemic, the Peruvian-born artist released her album Fiesta Global, and the catchy single ‘Fiesta de los Globos.’ It brought much-needed mirth to the long, drawn-out homeschooling days.
“Musically, I want to share the Latino-American experience through my songs with a new generation,” Flor tells Rockmommy.
So what’s next for 2021? We recently caught up with Flor to find out.
Rockmommy: What were the biggest challenges you encountered in the last 12 months?
Flor Bromley: Finding a time to create and allow the process to “just be” has been challenging. I also teach music classes and do live concert shows virtually, and even though the tech aspect has been manageable, Internet connections are not the most reliable. I’ve had a couple of ‘live online’ shows that have been interrupted, and I had to scramble my things and go to my neighbors or do the streaming from my car. I will never forget what 2020 has made me do lol.
Flor Bromley (photo by Sightseer Studio)
Rockmommy: How did 2020 influence your music and creative process?
Flor Bromley: I dared to release an album in 2020. I’m really proud of what we were able to do with Fiesta Global, even in a pandemic year, thanks to Waldmania PR. The album was given great publicity and is on several “Best of 2020” lists by kindie bloggers/publications, and my virtual show “Fiesta with Flor” was mentioned on the grammy.comlist of music shows to watch during quarantine.
Rockmommy: Any recent or upcoming projects you’d like to share?
Flor Bromley: I’m releasing my third family album in late Summer 2021. This one is a dual language album (English/Spanish) and will be called “Pachamama” which means Mother Earth in Quechua, the language of my ancestors. This album has a lot of Peruvian influences, in sound and themes. It’s a Peruvian music mash-up, where I bring elements from my culture and mix them up with Hip-Hop, Pop, Bachata, Country, Tango, and more. The theme of the album has to do with valuing nature and taking care of our planet. If there is anything this past year has shown us is that we have no planet B and we need to appreciate all of the little (and big things) Mother Nature gives us everyday.
Rockmommy: What advice do you have on balancing parenthood with creative life?
Flor Bromley: Every day find a time for yourself to do something you really like by yourself. It could be listening to song in your car and singing while you go grocery shopping, eating a piece of chocolate by yourself without having to share with the littles, running, reading, watching a TV show.
Marisa Torrieri Bloom is the editor and founder of Rockmommy.
Singer-songwriter Tracy Bonhamgained international fame for her iconic ’90s rock song “Mother Mother” — the post-grunge-era anthem for so many young adults getting their first taste of the real world. Fast forward to 2021, and Bonham’s now a mother herself (of a 10-year-old son), navigating the daily struggle of work-life balance and channeling her expansive musical talent into new projects.
Tracy Bonham (photo by Shervin Lainez)
This month, the singer-slash-guitarist-slash-violin player debuts her very first children’s album, with Melodeon Music House:Young Maestros Vol. 1, an energetic 11-song record for kids of all ages. It’s available now on all media platforms (iTunes, Spotify, Amazon, etc.), and CD.
Bonham fans — including older millennials and Gen X’ers of all ages who fell for her soaring vocals and angst-ridden rock in the pre-aughts — will be delighted to share this set of super-fun, danceable songs that highlight musical concepts the whole family can appreciate. The first single, “Me Symphony,” is my favorite so far, with its fun animation, big band vibe, and rhymes that linger in the listener’s mind, hours later: “I lost my tuba in Aruba/I lost my piano in Indiana.”
Tracy Bonham and Melodeon Music House ‘Me Symphony’
My kids love the joyful, silly ‘Let’s Take The Subway,’ which might be the only song I’ve heard that cheerfully name-drops the NYC C Train, B Train, and the elusive G train (which I’ve still never managed to catch).
We recently caught up with Bonham to find out what’s next:
Rockmommy: Hi Tracy! How did ‘Young Maestros’ record come about?
Tracy Bonham: Everyone was forced to stop during the pandemic. I don’t like being told what to do so I was pretty mad at the world. I would say F**k COVID to myself… often. During this time my bassist and collaborator, Rene, and I were figuring out how to create a business plan for my music education music curriculum and remote classes. I had been teaching my original curriculum at the Brooklyn Preschool of Science for a number of years, and little did I know it would become a laboratory for this new endeavor!
In October, I had an incredibly uplifting conversation with my manager, Patrice Fehlen, where we decided that we would jump head-first into releasing an album of my music education songs.These songs had been laying around for years and thankfully they had already been recorded and mixed a few years prior with my dear friend and founder of Gowanus Music Club, Josh Margolis. Josh is a musician, a teacher, a business owner and another music enthusiast / music theory nerd. We recorded and mixed these songs over the course of six years knowing that someday it would become something really cool. However, my career as a singer-songwriter, and being a parent, would always kick the project to the back burner. Once Patrice and I put it out into the universe, that early October day, the whole thing started to take shape. Rene became my business partner and we started creating Melodeon Music House with the first album release, and accompanying music education program, called Young Maestros Vol. 1, slated for release on April 16, 2021.
Rockmommy: The video for ‘Me Symphony’ is so fun, and all the songs on this record are so great! Did you ever think you’d make a children’s album/family record in your pre-parenting days? Is it wild to think about that?
Tracy Bonham: It is totally wild to think about. I have never been one to follow trends and I probably would balk if someone told me (pre-parenting) that I would follow the ranks of artists who make children’s albums after they become parents. When I started writing these songs, they were meant to be teaching tools.
Rockmommy: So my rock band Trashing Violet covers “Mother Mother.” It’s one of my favorites. Is it a blessing or a burden to have one iconic song because you have so much other great music?
Tracy Bonham: I would rather have one iconic song than no iconic song! Thank you for saying that about my other songs, but if they didn’t have ‘Mother Mother’ as the beacon, they might not have reached so many people. That song was iconic because it touched a universal nerve. Pretty much everyone can relate to it in some way. I don’t think I nailed that kind of transparency and universality with any of my other songs.
Rockmommy: What are you most hopeful for in 2021?
Tracy Bonham: I am really hopeful the vaccine will give people their lives back. I hope the people of the world can heal and rise out of this pandemic in a more thoughtful and mindful way. I especially hope that in 2021, the United States and all of its inhabitants, from whatever political affiliation, can heal in a psychic way. The patriarchal system is being challenged and I am so excited to experience the age of femininity taking shape.
Rockmommy: What is your advice on balancing parenting and creative life?
Tracy Bonham: My advice to any creatives out there who are new to parenting — do not freak out thinking you will get writers block or lose your creativity. First of all, you have just done the most creative thing there is to do in the history of creation! You have created a family.
For both men and women, your creativity is on fire! It is what you do with it from this day forward that matters. Whether it is creating a loving environment and an inspiring relationship for the child to thrive in, or whether it is taking care of your individual muse by creating loving boundaries for your art to cultivate on it’s own, these things you CAN do and will do if you believe you can. Of course, it is incredibly hard to find the time and energy when you are a parent of a young child. But what I found was that creativity FOUND me as long as I stayed open to it.
I would be changing a diaper, singing to my son, and a new melody would come out of my mouth. Of course, I would be singing the word “diaper, diaper baby, diaper, diaper baby” but I was creating a future melody for a future song. I always kept my iPhone nearby so that I could hit record on the voice memo app and save the fleeting but inspired moment for when I had a half hour to myself (yes, that is possible) to go back and listen and create something out of it. I guess what I am saying is, please don’t think creativity goes out the window just because you have a new focus. Remain open to possibility. It may come in different forms. But creativity will always be available for you if you are available for it.
Marisa Torrieri Bloom is the founder and editor of Rockmommy.
Women make up at least 50 percent of new guitar buyers, and are some of the most powerful strummers and soloists in bands all over the world. As a result, we’re seeing an influx of signature guitars designed by our favorite female guitarists in rock and other genres.
Here are five new ones unveiled in 2020 and 2021.
Orianthi Gibson SJ-200 Custom
Orianthi’s new signature Gibson acoustic guitar in cherry (available in May 2021).
Making its debut this May, rock guitar goddess Orianthi’s jaw-dropping stunner of an axe is #1 on my wish list. Features include a special neck modeled after a Gibson ES 345, a redesigned pickguard with Lotus Flowers (her name means “flower” in Greek, she says), as well as mother-of-pearl dot inlays in the neck. In this video, she calls it an “acoustic guitar for lead guitar players.” I call it a dream.
H.E.R. Fender Stratocaster Electric Guitar Chrome Glow
On September 20, Fender unveiled the brand’s first-ever signature guitar by a black artist, and it’s pretty spectacular — the guitar features a mid-‘60s “C” shape maple neck, Vintage Noiseless™ pickups and an anodized aluminum pick guard.
Nita Strauss Ibanez JIVA Jr. (Available at Sweetwater and other retailers)
We’ve been obsessed with Nita Strauss’ JIVA for some time — it’s light as a feather, perfect for metal solos, and super-durable. The JIVAJR sports many of the same features as the original (and all of the beauty) but at a much more affordable price point. The new model features a “quilted maple top with 3-ply binding on a meranti body bolted to a Wizard III maple neck with a 24-fret ebony fingerboard,” which features those cool ‘Beaten Path’ EKG-style inlays and luminescent side dot markers.
Chrissie Hynde Signature Fender Telecaster
Pretenders frontwoman Chrissie Hynderecently unveiled this signature model guitar, which has an alder body with a road-worn ice blue metallic lacquer. Features include 1950s-style, single-coil pickups voiced to match those of Hynde’s original, plus a stainless steel barrel saddle bridge, custom mid-’60s C-shaped maple neck, 7.25-inch radius fingerboard, and a chrome mirror pickguard. For more information, visit Fender’s website or purchase on Reverb.
Yvette Youngis Ibanez’s second-ever female signature artist, which is fitting, since the Covet guitarist is a finger-tapping, musical sensation. The YY10 Signature Electric Guitar in Slime Green Sparkle — inspired by one of Young’s custom Ibanez Talmans — features a one-piece maple neck and maple fretboard, alder body and Seymour Duncan Five-Two neck pickups.
Yvette Young Ibanez YY10 Electric Guitar
Marisa Torrieri Bloom is the founder and editor of Rockmommy.
The first time I listen to NYC band The Cynz, I’m in rock n’ roll heaven. Front woman Cyndi Dawson’s aggressive, low vocals soar over layers of delicious, distorted guitars, bass and drums. It’s fierce, it’s intense, and suddenly I’m fired up! Ready to go! Let’s do this.
Then I remember that we’re in a pandemic. And damn. It’ll be a while before I get to bathe in the manic fury of loud, live rock n’ roll in the city. None of us do. But hopefully, God willing, soon.
Cyndi Dawson (photo by Alan Rand)
Until then, we can only dream.
Recently, our friend and fellow rockmommy Rew Starr interviewed Ms. Dawson, on what’s next for the author of Outside Girl(Poets Wear Prada Press)— and what we can expect in the post-pandemic future. — MTB
Rew Starr: How’s it going? What have you been doing these days?
Cyndi Dawson: It’s been a tough year as you know. Trying to save a business, keep a band together — between no gigs and some personal stuff going on with various band members) has been a creative equation we are continually trying to resolve. We are writing new songs, recorded some early on and trying to help others with fundraising events.
Rew Starr: I know you are the Queen of decorations, how long does it take to put them all up? Put them all away? What’s the next one?
Cyndi Dawson: It takes me a full week of working every day for hours to put it all up and probably the same to take it all down. That’s not even counting the outside decorations. I kind of am over it by New Years so basically I decorate September until January.
Rew Starr: What are your kids up to these days?
Cyndi Dawson: I have one human daughter, who is on her own already, a Yorkichon named Bowie and a litter of three once feral cats I took as a unit — two boys (Bob and Bree) and a girl (Puck, who was named Puck because I thought she was a boy. Now I call her MISS Puck!)
Rew Starr: Your daughter is beyond gorgeous inside and out. What do you see of you and what do you see that’s all her?
Cyndi Dawson: She’s artsy and creative — more so than me — and she’s very musical. She plays several instruments which I could never figure out. My brain cannot comprehend notes and stringed things. I’m rhythmic so I’m a good dancer; I feel music in terms of beats. She is great at yoga which is way too slow for me. Her sense of humor reminds me of me but her sarcastic bent is my mother all the way.
Rew Starr: I remember the first time it hit me you looked exactly like [Barbara Eden of] I DREAM OF JEANNIE. How long have you been hearing that?
Cyndi Dawson: Probably since I was 18!
Rew Starr: I know gymnastics, dance, acting and poetry came first, so how did it all begin and what led you to being a ROCKSTAR?
Cyndi Dawson: My first band was when I was 17 — an all-girl band with great backing and management waiting for us. Great concept — Kamikaze Kitty and the Attack Kats and all the songs were based on mysticism and Kitty vibes. Unfortunately it didn’t last because of our key members moved back to the South. How I ended up a front woman SINGING is solely due to Henry. I’ve always fronted s band doing poetry. Henry said I should sing. I thought he was nuts.
Rew Starr: We met when you came to ‘ReW & WhO?’ and it was all kizmit from the start, do you follow a spiritual path?
Cyndi Dawson: I do. Probably a mix of several things I’ve delved into over the years, probably more Wiccan-based than anything.
Rew Starr: You also are a bar owner. That must be a giant challenge these days. How can people support your bar?
Cyndi Dawson: Drinking in the bar supports the bar, there really is nothing more complicated to offer, lol! But that is complicated in Covid times. We’ve implemented all the safety mechanisms so it’s a matter of people’s comfort levels whether or not they feel safe in a bar or restaurant. We also built a beautiful beer garden with heaters, which is great when it’s not absurdly cold out.
Rew Starr: Are you making any new music?
Cyndi Dawson: We recorded and released two new singles this summer which got great airplay. Pretty happy about that. We are also working on finishing other songs we recorded, recording more new ones we’ve started rehearsing and releasing a ‘best of with bonus new tracks’ to be distributed in Europe and the USA.
Rew Starr: What about playing out? Have there been opportunities?
Cyndi Dawson: Early on [in the pandemic] I did the Thunder’s tribute for Steve Krebs at Bowery Electric but that was with Jesse Malin’s band. Then The Cynz did a fundraising gig for The Brighton Bar in Long Branch. Last week Henry and I did an acoustic set on Facebook Live for Outlaw Renegade Radio to help them out. Just trying to support radio and venues that support bands!
Rew Starr: Tell us something we don’t know about you?
Cyndi Dawson: Oh boy! I’m such an open book online! As a poet I reveal a lot and I’m also a diarist. So I reveal so much. There is a reason I don’t reveal certain things but what I want people to know about me is pretty much out there. I’m a survivor — I also am easily hurt and I have a hard time with rejection or what I perceive to be rejection. I’m not as tough as I try to appear.
Rew Starr: What’s the greatest part about being a rockmommy?
Cyndi Dawson: I think I instilled a love for music in my daughter. I also hope she gets that life in the arts doesn’t need to end because you aren’t in your twenties or you are a mom.
Elena Moon Park describes her music as reimagined folk and children’s music from around the globe — with an emphasis on East and Southeast Asia — but I’d also call it joyful, whimsical, and inspiring.
After watching the video for “Flower Dance,” directed and animated by Andrew Benincasa, I felt the urge to step outside and twirl in the sunlight. I literally said to myself, “I can’t wait until my kids get home from school so I can show them this!”
Elena Moon Park (Photo by Alexia Webster)
And as I navigated Park’s impressive video library, it became clear that this Spring-friendly song is just one of many jubilant tunes and impressive accomplishments.
A freelance violist who calls Brooklyn, N.Y., home, Park has performed at Carnegie Hall, Lincoln Center, and in other countries — including the Southbank Centre and the Melbourne International Arts Festival. When she’s not creating music, she’s the co-Artistic Director of the Brooklyn-based arts organization Found Sound Nation, which uses collaborative music creation to connect people across cultural divides.
“I love to learn and sing songs in different languages, and to incorporate a lot of different kinds of instruments and musical traditions into the song choices,” Park tells Rockmommy. All of the music I create is driven first and foremost by my love of collaboration, with musicians, visual artists, friends and family who I admire.”
We caught up with Elena recently to talk about life, artistic expression, and making “unhurried” music during uncertain times.
Rockmommy: What were some of the biggest challenges of creating music over the last year?
Elena Moon Park: Like many moments in life, I think the biggest challenges in the last 12 months also revealed some big opportunities for me. Of course, we’ve communally faced a tremendous challenge, perhaps the greatest global challenge of our lifetimes; but hopefully in that process, we were given some opportunity to be able to reflect and focus on the things that are most important to us, whatever those things may be.
Facing big challenges can remind us what we value most in our lives. And in particular, this challenge to stay in one place and to slow down, as many of us experienced this year, gave me an opportunity to reflect. I feel incredibly fortunate that I was able to safely work from home and have this opportunity of time — as I know not everyone did — and I am also incredibly grateful for those who have had to move into higher gear to keep us all safe or to keep themselves or their families afloat. I have spent a lot of time in this past year connecting or reconnecting with family and friends, and connecting with the natural world around me, and that has kept me grounded.
Elena Moon Park
Rockmommy: How did the past 12 months influence your music and creative process?
Elena Moon Park: For several months starting in March 2020, I took slow walks around my neighborhood in Brooklyn, closely watching the trees and flowers bloom in the springtime, blossom and wilt in the summer, and change into vibrant colors in the fall. I don’t think I’ve ever paid such close attention to these things in this busy, fast-paced NYC world, and, as I mentioned above, it left me feeling very grounded and meditative. During that same time, I was gearing up to release a new family music album, aptly titled “Unhurried Journey” — dedicated to taking a deep breath and slowing down. The album ended up coming out alongside another major shift in energy, just as the resurgence of protests for racial justice hit the streets across the nation, so the Unhurried Journey message was not quite fitting for that moment — although I do believe that the communal slowing down played a key role in bringing much-needed nationwide attention to the movement and to the message.
But in the months leading up to its release, I ended up making 15 lyric videos for each of the 15 songs, inspired by the beautiful artwork of my collaborator Kristiana Parn and by these meditative walks I was taking every day around my neighborhood. The videos still make me think back to that time, and I am so thankful for those moments.
Rockmommy: What are you most hopeful for in 2021?
Elena Moon Park: I hope that we (or I) can keep remembering to reflect on what is important, to be present in the moment, especially in our time spent with loved ones, and to appreciate and respect the natural world around us. I hope we will also find ways to support one another as we continue this communal struggle, and to support positive change, guided by radical compassion, listening and love for the people and things around us.
Rockmommy: Any recent or upcoming projects you’d like to share?
Elena Moon Park: It’s similarly challenging to plan for any projects these days, but I am having a lovely time daydreaming of what it could be like to turn my Unhurried Journey album into a storybook of some kind. I also look forward to creating more music or music videos with artistic collaborators, if and when the time is right.
Marisa Torrieri Bloom is the editor and founder of Rockmommy.
After a year of being shuttered mostly indoors with my family, I’m feeling a mad kind of spring fever. I want to go out in a big way. Not outdoors, to the beach, or the fire pit, but out out — like I did in 2019. I want my band to play in a bar. I want to sip drinks idly, as I watch live music.
Who doesn’t want all the things?
The author, mulling whether to go out
The problem is, I’m not vaccinated. Not yet.
A few weeks ago, I was informed of a fun, relatively “safe” event — a lip-sync mask “battle” at the Cellar, a cool, indie music bar in Hamden, Connecticut. My fellow musician friend (and parent) Dustin posted a flier and invited everyone to compete safely. Masks are required (except when you’re eating). Performers will wear a clear one. Sanitizer and precautions will abound from every corner of the indoor space.
I was “in” the moment I saw the announcement, and began crafting my burlesque-without-the-stripping lip-sync choreography for “Wrecking Ball” in earnest — it’s taking shape, and after weeks of rehearsal, it’s awesome. I’m stoked to perform it later. I’m stoked to be out, with creative people, doing creative things. I feel alive just thinking about it.
But the venue’s event is in its indoor space. My partner is not OK with that.
It’s an indoor bar, Marisa, he reminds me. People at their tables won’t be wearing masks. Once people start drinking, they’ll be mingling. If one person in that room has Covid, you’e f*cked.
coffeehouse vibes
See, as I’m writing this I’m sitting in an indoor space — Candlewood Market in Fairfield. It’s a beautiful, ample coffeehouse with an industrial warehouse vibe, succulents and weathered wooden signage. Photography and botany and sunshine. I love it here. I go once a week, while my sons are in ninja class next door (masked up, of course). The guy at the table next to mine isn’t wearing his mask, so I only pull mine down when I need a sip of coffee.
I always need coffee.
But anyways, it’s hard to be excited about a fun night that really isn’t any more risky than my time at this coffeehouse (sitting exactly six feet away from the unmasked patron, only because I moved my chair) when my partner thinks that I’m taking a gigantic risk.
Which brings me to the dilemma: I’m one week away from my first vaccine. I’ve spent a year working hard to avoid Covid. Is it really worth it for me to go out now and take any risk? Like The Clash sings in its infamous song, ‘if I go there will be trouble, but if I stay there will be double.” (Double, because I’ll regret not doing something really fun that I’ve been excited about, while disappointing my friends who want to come out with me).
Decisions, decisions! What would you do?
Marisa Torrieri Bloom is the editor and founder of Rockmommy.
If anyone my local music scene in Southern Connecticut is deserving of the ‘jack of all trades’ designation, it’s Richard Demko, longtime multi-instrumentalist, songwriter, producer, promoter and more. He has an ear for talent and a knack for making things happen. He’s a dad, too, which is awesome.
I had the honor of meeting Demko — a.k.a., ‘Rick’ — in early 2020 at Café Nine in New Haven, through a mutual friend who invited him to see my band Trashing Violet play its third-ever gig. But although his reputation as a superstar engineer and founder of independent label NeuroTronix Recordsmade me feel a little intimidated, his easygoing, engaged personality immediately put me at ease.
For Demko, a man who is still busy juggling family life, with pressures to create, support and promote in spite of Covid-related restrictions, a pandemic silver lining was a surge of creativity. In early March 2021, Demko released his first orchestral single “Through Time and Space” (available on iTunes, Spotify and Amazon), and is organizing as many outdoor shows as possible so his musician peers can play again.
We recently caught up with Demko to chat about new music, summer plans, parenting and more.
Richard Demko, of NeuroTronix Records, hard at work at Horizon Studio.
Rockmommy: What were the biggest challenges you encountered in the last 12 months?
Richard Demko: My biggest challenges in the past 12 months have been juggling writing, producing, promoting and all the label obligations I have with my whole household being home due to distance learning and working.
It’s also been a challenge promoting albums because live music is a big part of getting music out there. With no live music, I’ve had to be creative on how we promote releases and singles. There is no script to what has had to occur to try and keep everyone out there and moving.
I have a lot of sympathy for working musicians and venue owners who have been hit very hard this year. I’ve been lucky because I’m blessed to have great clients who have sent me lots of remote mixing work, writing and session work, and some decent album promotional campaigns. Because if that, I make it a point to try and give back to organizations and places that are supporting local working musicians and various venue relief efforts as much as I can.
Rockmommy: How did 2020 influence your music and creative process?
Richard Demko: 2020 has had a big influence on my solo writing, as I’ve written a few pandemic-themed songs, including a Christmas tune released exclusively for the 2020 holiday season called “Merry Christmas From a Distance.” I’ve also written a few songs for sync licensing that pertain to certain aspects of the pandemic.
Richard Demko “Through Time And Space”
Rockmommy: What are you most hopeful for in 2021?
Richard Demko: I am hopeful that the pandemic will come to an end and we can return to live music! I am also hopeful from a label perspective that Connecticut will gain some serious attention in the mainstream music scene, as we have so many great artists and bands in our area!
Rockmommy: Any recent or upcoming projects you’d like to share?
Richard Demko: As a solo writer, I plan on releasing of a few singles early in 2021, maybe a new Demkovic single will drop too. Passing Strange has a new album that we will be starting to track, which I’m really excited about.
Rockmommy: What can you tell us about your new song? How did it come about?
Richard Demko: This song was started 7 years ago. I never finished it and it just sat on the storage drive and I kinda forgot about it. About two months ago, I was going through some of the stuff on my storage drive and I came across this and decided to take a listen. One thing led to the next and I ended up finishing it. Normally a song like this I would submit to one of the music libraries I work with for sync licensing, but I really was digging this one and wanted to keep it for myself so I decided to release it to the world under my name.
Rockmommy: You’re also a big supporter and promoter of indie rock– both independently and through NeuroTronix Records. What can artists hope for in Connecticut this summer? How are you navigating some of the new rules and challenges to bring live music back?
Richard Demko: I think this summer is going to be pretty good for outdoor music. I’ve got a few places I’m working with to promote live outdoor shows, one being 10selden where I have exclusive access to the bookings calendar. During the spring and summer months, I tend to enjoy outdoor music under normal circumstances, so I think regardless of the changes in the indoor venue guidelines, I’m going to stick with promoting mainly outdoor shows — at least at 10selden. I wouldn’t say I’m just a supporter of indie rock, I support indie artists of all genres, and hopefully once things start to go back to normal, the label will be actively scouting again to expand its roster. I’ve got a few artists I’m keeping an eye on, but that’s all I will say about that for the moment.
Rockmommy: What advice do you have on balancing parenthood with creative life?
Richard Demko: The best advice I can give to creative parents would be to just do the best you can with the time you have. Modify your creative schedule so that your family has the attention they need. When you get stressed, put that energy into writing or creating when you get the time, and it will not only come out more emotional, it will mean so much more in the end. I love being able to spend all this time with my kids and wife with everyone being home, however making the time to create is a very important part of having a balanced life.
Marisa Torrieri Bloom is the editor and founder of Rockmommy.
